Interpretation of the notes above from the PEN panel Artists Take The Street:
Tania Brugera ran for president in CUBA! With, obviously, not a chance to win, but getting serious negative attention from government. She's a performance/installation artist. In one of her famous performances, she ate soil mixed with water and salt as a political act.
She made some compelling contributions to the panel. My favorite:
"COMPLEXITY IS THE BEST POLITICAL TOOL."
Amy Khoshbin discussed how she reflected on talking to people who believe in the right to carry firearms, while she was in residence in a state where that was prevalent. The complexity statement was contributed to that discussion, as both sides of the American political divide hold on to simple slogans and beliefs. Only by adding complexity to the discussion, to artistic expression, can we hope to bridge that divide, so detrimental to our society.
Amy also discussed how she defines the "street" as a space for artists: public spaces, social media. Tania added that in Cuba, inside the house is a "street" space that escapes police attention. It is also a space of expression in the USA that is less monitored, less monetized.
Anne Carson did not say much. So here's an extract from a New Yorker text that is still very poetical while fiction:
"Her visit ends. Back at home, the newspapers, front-page photos of a train car in Europe jammed floor to door with escaped victims of a war zone farther south, people denied transit. Filthy families and souls in despair pressed flat against one another in the grip to survive, uncountable arms and legs, torn-open eyes, locked in the train all night waiting for dawn, a scene so much the antithesis of her own morning she cannot enter it. What sense it makes for these two mornings to exist side by side in the world where we live, should this be framed as a question, would not be answerable by philosophy or poetry or finance or by the shallows or the deeps of her own mind, she fears."
Get Organized Brooklyn and Refuse Fascism are two organizations that were referred to during the meeting. That was the best take away from the panel for me, because I had hoped for more blueprints, more handbook tips, more practical examples. Word on The Street was one of the few projects described, it involves big names, and big money: not very relevant to the common guerillera artist sitting at the panel. I guess we will need to come up with our own invented processes.
Remark on the notes above: the woman gardening in the upper right corner is just going about her business. She pays no attention to the demonstrators around her. And why not?
On the panel: Anne Carson, Tania Bruguera, Amy Khoshbin and very cool, very smart Carmen Hermo, who is a curator at the Brooklyn Museum
