http://www.bam.org/view.aspx?pid=2227
Will not expand on this much. The reviews have not been good in Europe and BAM was practically paying people to see the show. Have never had seating that good for such a low price! Nonetheless I was intrigued by the show. By its mix of tones, something I have become very interested in. While I watched the show, many questions swirled in my head, and to that extent the show was successful if art is also about getting one out comfort zone. What is tone? What is nonsense (the show veered in that direction)? What is fraudulent (also in that direction)? What is a critic and a review? "The show was this and not that, it was successful in this and failed in that." Assertions. Certainty. The more I go the more uncertain I get. It takes more confidence - maybe - sometimes - to admit uncertainty than to bang on the table to assert opinions.
After the show two guys were ferreting around the lobby. Look: 50's dork. They had exactly the same jeans jacket with a label on the back, the same hair cut (see illustration), same docker jeans, same leather bags, same glasses with thick upper frame, known in England as National Health as they were the only model offered free to patients for several decades. Their faces looked the same. I had to look twice to ascertain they were not twins. One was taller. Brothers? Lovers? Performers? One of them would be a geek, two is a performance or a statement. Anybody knows them, please let me know ASAP. Because the show had been chaotic and sent me into a cycle of questioning and confusion, I wasn't sure if they were real. But I was hugely amused. Then a guy from the bus service to Manhattan (you will be wheezed from Manhattan to BAM and back without setting foot in Brooklyn practically! Smoked windows allows you to ignore ugly reality out there!) leaned in my direction and said loudly : "What a smile!". He was also part of the show? Was I? Was Brooklyn?
Contributed by - - Arabella Hutter - -
No comments:
Post a Comment